The Roman Consul Caius Flaminius Nepos’ last instants at Lake Trasimene (ROM0266)
Original Roman military art print by Giuseppe Rava: the death of Consul Gaius Flaminius at the Battle of Lake Trasimene, 217 BC — Hannibal’s greatest ambush. Limited edition, hand-signed, SRA3 format. Ships worldwide.
€23.00 – €590.00Price range: €23.00 through €590.00
The Battle of Lake Trasimene, 217 BC: Hannibal’s Perfect Ambush
On a misty June morning in 217 BC, a Roman consular army of some thirty thousand men marched along the northern shore of Lake Trasimene and disappeared. What happened in the next three hours was not a battle in the conventional sense: it was the most complete ambush ever executed against a Roman field army, and it cost Rome a consul.
The road to the lake
Hannibal had crossed the Apennines in the spring and forced his way through the flooded marshes of the Arno, a march that cost him much of his baggage and, according to the sources, the sight of one eye. He emerged into Etruria and began systematically burning the countryside — not for plunder, but as provocation.
The target of that provocation was Gaius Flaminius Nepos, consul for the second time, encamped at Arretium. Flaminius was a political outsider in Rome, a man who owed his career to the popular assembly rather than the Senate, and Hannibal had judged his temperament correctly. Rather than wait for his colleague Gnaeus Servilius Geminus to join him, Flaminius broke camp and set off in pursuit of the Carthaginian column.
The trap closes
The ground Hannibal chose was a narrow corridor between the lake and the hills, near modern Tuoro sul Trasimeno. He placed his Spanish and African infantry on the high ground that closed the far end of the defile, in plain sight, as bait. Along the wooded slopes on the Roman left he concealed his Gauls and his cavalry, strung out for the entire length of the march route.
The Romans entered in column at dawn, in fog thick enough that the two ends of their own line could not see one another. When the signal came, the attack fell on their flank along the whole column simultaneously. There was no room to deploy from column into line, no time to form a battle order, and no way back — the rear was sealed and the lake was on the right. Men fought in isolated knots where they stood; others waded into the water in armour and drowned.
The death of the consul
Flaminius fought in the press with his escort until he was recognised. Livy names his killer as Ducarius, a horseman of the Insubres, a Gallic people whose territory the consul had campaigned in years before and who had a personal score to settle. The moment Giuseppe Rava has chosen to illustrate is that one: the commander overwhelmed, the standards going down, an army dissolving around a man who has just understood the scale of his error.
Some fifteen thousand Romans died that morning. Carthaginian losses were between fifteen hundred and two and a half thousand, most of them Gauls. Local place names around the battlefield — Sanguineto, Ossaia — have been linked by tradition to the slaughter, though the etymologies are debated.
What came after
The news reached Rome without embellishment: the praetor announced to the assembled people that a great battle had been lost. Within days the Republic suspended normal government and appointed Quintus Fabius Maximus dictator. The strategy of attrition and avoidance that followed — shadowing Hannibal, refusing pitched battle, earning Fabius the nickname Cunctator, the Delayer — was the direct consequence of what happened on the shore of Trasimene.
About this print
Giuseppe Rava reconstructs arms, shield devices, standards and terrain from the ancient sources and from the archaeology of the battlefield at Tuoro. The plate is produced as a fine art print on cream hammered cardboard, SRA3 format, in a limited edition signed by hand. High-resolution digital licensing for web and video use is available for the same image.
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